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Nearly There!

On Friday, I dropped in to explain with great fear and trembling that I would have just three days to write 20,000 words.

I sort of exaggerated the dilemma, because I was only counting Sunday, Monday, and Tuesday. I left on Friday and Saturday, because I was heading to Arkansas for those two days to visit with my family there (and give a little talk on self-publishing to the Fiction Writers of Central Arkansas association).

That trip gave me six hours in the car both ways, and of course while I was in Arkansas–even with birthday parties and fancy dinners and writers’ associations–I had some time to myself. I should have called it five days, not three.

But, then, I know myself. With less than a week to write 20,000 words, I still only managed 2,000 words on Friday and Saturday. So, pretty much as anticipated, I showed up to work Sunday morning with 18,000 words to write in three days.

That was more than a little terrifying. I stared at my laptop in panic. I double-checked my word count (it hadn’t changed). I skimmed back through the last couple pages, hoping to ride some narrative momentum straight into a productive day of writing.

I went to get a cup of coffee.

I sat back down at the laptop, went through the whole process again, and went to get another cup of coffee.

Nothing was happening. I went for a walk around the empty office. Not a casual stroll–an aggressive, angry power-walk to get the blood pumping. I put in a good half hour, then came back to my laptop, opened the story, and just stared.

Finally I gave up. I went to Facebook and quipped. I went to Twitter and caught up on industry news and clever misattributed quotes. I did some administrative cleanup at all my many blogs.

Oh, hey! You can now email me from the handy-dandy Contact form!

And then–four hours in, utterly broken, and deeply ashamed of myself that I couldn’t even write one word, let alone 18,000–I went slinking back to my Google Docs.

But instead of opening the treacherous story tab (“GT: Faith – Editing Copy”), I opened the one next to it (“Prewriting Package for Ghost Targets: Faith”). I scrolled down to the plot outline/scene list and stared at a bunch of empty spots or brief, one-line descriptions. I frowned at one of those, shifted it down a spot, and fleshed it out.

Then I added a scene above it, to describe the one I was currently working on. And that generated a new scene, which bumped the one below it even further down. Then I skipped past that one and added a new scene after. I spent more than a hour adding fewer than 500 words.

And when I was done, I had a story to tell. I clicked over to the story tab, and started writing. By the time I went home last night (early enough to watch some TV with the wife and get a full night’s sleep), I’d written 8,000 words.

One day gone. Two days left, and 10,000 words yet to write. That’s still triple the daily output necessary to win NaNoWriMo, but hey, I did 8,000 yesterday. I think I can manage it.

Now I’m off to give it a try.

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NaNoWriMo Every Day

I started writing books when I was…let’s say twelve. I first wrote Taming Fire while I was in college (ten years ago now), but I didn’t really hit my stride as a writer until 2007. In 2007, I finally finished two novels (my second and third). It felt awfully good to finish up two books at once, but those two had been slowly coalescing for most of five years.

So at that point, I was ready to accept that my “pace” for writing novels was about 2-3 years per title. To put that in a perspective that’ll be useful later in this article, those two novels combined came to 180,000 words. So I was writing about 36,000 words a year.

For that matter, the original version of Taming Fire (what you know as Taming Fire and The Dragonswarm), ran 140,000 words, and I wrote it in four years. That’s 35,000 words a year. See? I had a consistent, stable pace.

Then in November of 2007 somebody convinced me to try out a project called National Novel Writing Month (or NaNoWriMo for short). The goal of NaNoWriMo is to complete a short novel (50,000 words) within November’s 30 days.

The rules are totally unenforced, but they say you have to start at the beginning of a new project, you have to write 50,000 words on that one project, and you can only count words written between 12:00am on November 1 and 11:59pm on November 30.

That’s it. You don’t have to finish the novel. You don’t have to edit it. (In fact, they strongly encourage you not to.) Quality isn’t at issue. It’s all about setting an aggressive pace.

I’d been trying for years to get my dad to write, and my sister had expressed an interest, and I was still on a high from finishing those two books in the summer, so I decided to do it. I got Dad and Heather to join, and we dove in.

I knew just how ridiculous 50,000 words in a month was (from my established pace of 36,000 in a year), but it couldn’t hurt to try, right? Even if we failed miserably, we’d have the beginnings of a novel to build on later.

To my surprise, it wasn’t ridiculous at all. That first year, we all three won (meaning we hit 50,000 words before the 30th). And I did better than that. I wrote all the way to the end of my novel…at 118,000 words.

Yeah. That changed my perspective a little bit. It was actually a pretty good story, too.

I’ve never recreated that NaNoWriMo experience. November’s always a busy time, and my life has gotten hectic, and (the real heart of the issue) I didn’t really have anything left to prove after that. So I’ve limped through or I’ve muddled the rules or I’ve just skipped NaNoWriMo altogether in the years since.

But I still use “NaNoWriMo” as a yardstick for writing. To complete 50,000 words in November, you need to average 1,667 words a day. I usually prefer to schedule my writing around weekdays, and leave myself the weekends to either decompress or catch up, so that requires 2,333 words a day Monday-Friday.

(To put it in that context, my phenomenal first NaNoWriMo novel averaged 3,933 words a day.)

Last week I talked about my due dates and the crazy ambitious schedule I’ve been wrestling with this semester. In the two months since I quit my day job, I’ve written

  • 50,000 words on The Dragonprince’s Heir (The Dragonprince Trilogy, #3) for Master’s Project
  • 20,000 words on Faith (Ghost Targets, #5) for Writing the Novel
  • 15,000 words on Oberon’s Dreams for Tutorial in Writing

That’s 85,000 words in two months, or 1,393 words a day. Oh, but I’m not done. I probably mentioned this last week, but if I’m going to pass all my classes (and graduate), I have to turn in 40,000 words on Faith for Writing the Novel at the end of the semester.

Another way of saying that is that I have to write 20,000 words between now and 10:00am on Wednesday, May 2.

And since I’m heading to Little Rock in a couple hours to visit Dad and Heather over the weekend, another way of saying that is that I have to write 20,000 words in three days. So…remember that first NaNoWriMo novel that I wrote unbelievably quickly? I have to double the rate of that one if I’m going to pass this class.

Don’t worry. I’ll do it. I’m amazing. But still…I really shouldn’t be using up time hanging around here. So…see you sometime next week!

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Due Dates

My big news for this week is that the masterpiece is done. Late in the day on Thursday, I finished rewrites on the first draft of The Dragonprince’s Heir (The Dragonprince Trilogy, #3).

It’s a good thing I did, because Thursday was my due date for that one. I emailed a copy of it to the three professors on my Master’s Defense Committee: Deborah Chester, J. Madison Davis, and Mel Odom.

Among them, they’ve got hundreds of published novels. They’re going to spend the next ten days reading through it, then on May 3 I’ll complete my Master’s degree by standing in defense of the manuscript. I’ll have to explain the storytelling choices I made, characterization, my publishing plan, all of it.

I’m taking it pretty seriously (I’ve got a lot invested in this program), but I’m not too concerned. I know my stuff, and I’ve really done a good job with this novel. The nice thing about it is that I’ll be getting three hours of detailed feedback from a panel of experts.

I’ll have a month to incorporate their feedback and get a couple rounds of edits from my publishing team before I release it in June.

For those of you just visiting the site to find out where Book Three comes out: That’s good news. We’ve got a complete manuscript a month in advance, so we can definitely get the book out in June.

I’m also excited to have a finished draft so early, because it gives me the chance to offer some Advance Reading Copies again! I’ve had people asking about those at my Facebook page, so I know there’s real interest.

My goal there is to wait until after my defense, process the feedback from my processors (which won’t take more than a week or two), and then send out ARCs in mid-May. Once I’m ready to do that, I’ll announce it pretty loudly here, at Facebook, on Twitter…anywhere you might be listening.

In the meantime, I’ve got another due date pending. The day before my Master’s Defense, I have to turn in 40,000 words for my Writing the Novel class, and I currently have about 15,000 done. The good news: That’ll get me half finished with the Ghost Targets book I was already planning to release in August.

Ah, who am I kidding? It’s all good news. Everything is wonderful. I love being me.

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Overworked

My day job is killing me.

I’m not complaining! My day job is a dream come true. It’s also a frantic sprint from the moment I wake up until I collapse every night.

Writing is not exactly the leisurely, contemplative life I imagined as a kid.

Faith

I think last time I posted I was panicking about a deadline for the first third of Faith (Ghost Targets, #5). I made the deadline. It was a close-run thing, but I managed 12,000 words in three days while out of state celebrating my in-laws’ anniversary.

When I got home, I turned in my pages to the professor and then immediately started panicking about my next deadline. That’s the one you all care about, I’m sure.

The Dragonprince’s Heir

I’m attempting to complete The Dragonprince’s Heir (The Dragonprince Trilogy, #3) as the final project for my Master of Professional Writing degree from the University of Oklahoma. In April I’ll submit a finished manuscript to a panel of three much-published authors (Deborah Chester, J. Madison Davis, and Mel Odom), and then a couple weeks later I’ll have to go before them and defend it as a publishable work.

If they approve it, I’ll receive my Master’s degree. If they don’t, I won’t. Simple as that. This is my masterpiece, in the original sense. It’s fitting that it’s also the culmination of the series that made me famous.

But given the importance of that project, I hate that I’m having to rush it as much as I am. The book is about 2/3 done at 60,000 words, and I have the rest plotted and outlined, but I’m rapidly running out of school year.

In short, I need to write 30,000-40,000 words (approximately 120-150 pages) in the next three weeks.That will leave me just one week to revise the whole thing up to a standard my judges will consider “publishable.”

The good news is that it’ll leave me seven weeks to publish it. That’s longer than any of our projects has ever had to process through Consortium Books. Again, given the importance of the project, I love that we’ll be able to take it slow.

Into the Flames

And with all this hanging over me, I had to interrupt my writing time last weekend because of a critical deadline at my day job. My other day job, I guess I should say.

This week we published Jessie Sanders’s debut novel, Into the Flames, which is a young-adult urban fantasy with some incredibly engaging characters. I read it as a partial manuscript over a year ago, approved it as a rough draft, and spent the last year waiting anxiously to find out what it became.

That finally happened last weekend. Two days before we took it to press, I finally cleared my schedule and curled up with my Kindle to read the final draft.

It was phenomenal (of course). Halfway through the afternoon Saturday, I looked up at the end of a particularly exciting scene and said, “Is this really my job?”

I love it. I love the writing, and I love the publishing, too. Every bit of it makes me better at my craft and brings better works to the reading public. That’s a rewarding feeling.

Auric and the Wolf

Meanwhile, I’m working on other projects of my own, too. I’m helping develop a new digital book production company, I’m preparing some Dragonswarm short stories for the Consortium of Worlds collections, and I’m publishing the short stories I co-created in the world of Oberon’s Dreams.

“Notes from a Thief” is already out (with a recently redesigned cover that’s just stunning). And in the last week I did a big rewrite on “Auric and the Wolf,” in which I made the kid actually fight the wolf. Much more exciting that way.

That one should be out in a couple weeks. I’ll let you know when it’s available.

Live Life

I was also contacted out of the blue by someone from the University of Wisconsin who’s putting together an anthology called Live Life. They asked me to contribute a work (or works), with all proceeds going to The American Cancer Society.

And I just happen to have a perfect piece: the literary story “Building Plans” I wrote for Advanced Fiction Writing last fall. It’s about a single mother who’s widowed young and trying to find some way to make her life go on working. Seems pretty fitting, really.

I spent today mostly getting caught up on chores, but tomorrow I’m back to writing on the Dragonprince. Other than that, it’s just things and stuff.